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| Robert Morris, Untitled (L-Beams), 1965 |
When I sliced into the plywood with my Skilsaw, I could hear, beneath the ear-damaging whine, a stark and
refreshing "no" reverberate off the four walls: no to transcendence
and spiritual values, heroic scale, anguished decisions, historicizing
narrative, valuable artifact, intelligent structure, interesting visual
experience.
Robert Morris in Foster,
Hal et al (2004) “1965: Donald Judd publishes ‘Specific Objects’...”, in Art
Since 1900, London: Thames and Hudson, p492
